The Thirteenth Tale By Diane Setterfield

Settle down to enjoy a rousing good ghost story with Diane Setterfield's debut novel, The Thirteenth Tale. Setterfield has rejuvenated the genre with this closely plotted, clever foray into a world of secrets, confused identities, lies, and half-truths. She never cheats by pulling a rabbit out of a hat; this atmospheric story hangs together perfectly.
There are two heroines here: Vida Winter, a famous author, whose life story is coming to an end, and Margaret Lea, a young, unworldly, bookish girl who is a bookseller in her father's shop. Vida has been confounding her biographers and fans for years by giving everybody a different version of her life, each time swearing it's the truth. Because of a biography that Margaret has written about brothers, Vida chooses Margaret to tell her story, all of it, for the first time. At their initial meeting, the conversation begins:


"You have given nineteen different versions of your life story to journalists in the last two years alone."
She [Vida] shrugged. "It's my profession. I'm a storyteller."
"I am a biographer, I work with facts."
The game is afoot and Margaret must spend some time sorting out whether or not Vida is actually ready to tell the whole truth. There is more here of Margaret discovering than of Vida cooperating wholeheartedly, but that is part of Vida's plan.

Margaret has a story of her own: she was one of conjoined twins and her sister died so that Margaret could live. She feels an otherworldly aura sometimes or a yearning for a part of her that is forever missing. Vida's story involves two wild girls--feral twins (is she one of them?)--who would have been better off being suckled by wolves. Instead, their mother and uncle, involved in things too unsavory to contemplate, combine to neglect them woefully. There's also a governess, a Doctor, a kindly housekeeper, a gardener, and another presence--a very strange presence--which Margaret perceives as a ghost at first. Making obeisance to other great ghost stories, there is a deadly fire, a beautiful old house gone to ruin, and always that presence....

The transformative power of truth informs the lives of both women by story's end, and The Thirteenth Tale is finally and convincingly told. --Valerie Ryan

From Publishers Weekly
Former academic Setterfield pays tribute in her debut to Brontë and du Maurier heroines: a plain girl gets wrapped up in a dark, haunted ruin of a house, which guards family secrets that are not hers and that she must discover at her peril. Margaret Lea, a London bookseller's daughter, has written an obscure biography that suggests deep understanding of siblings. She is contacted by renowned aging author Vida Winter, who finally wishes to tell her own, long-hidden, life story. Margaret travels to Yorkshire, where she interviews the dying writer, walks the remains of her estate at Angelfield and tries to verify the old woman's tale of a governess, a ghost and more than one abandoned baby. With the aid of colorful Aurelius Love, Margaret puzzles out generations of Angelfield: destructive Uncle Charlie; his elusive sister, Isabelle; their unhappy parents; Isabelle's twin daughters, Adeline and Emmeline; and the children's caretakers. Contending with ghosts and with a (mostly) scary bunch of living people, Setterfield's sensible heroine is, like Jane Eyre, full of repressed feeling—and is unprepared for both heartache and romance. And like Jane, she's a real reader and makes a terrific narrator. That's where the comparisons end, but Setterfield, who lives in Yorkshire, offers graceful storytelling that has its own pleasures. (Sept.)
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Book Description


When Margaret Lea opened the door to the past, what she confronted was her destiny.

All children mythologize their birth...So begins the prologue of reclusive author Vida Winter's collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist.

The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission.

As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire.

Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.

The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.